“I’ve just insisted – insisted! – upon being called a black woman novelist…And I decided what that meant, because I have claimed it. As a black and a woman, I have had access to a range of emotions and perceptions that were unavailable to people who were neither.”

It’s Women’s History Month and I can’t resist profiling Toni Morrison, a prolific writer who has worked to represent through fiction the experience of black people—particularly women–in America. Ms. Morrison’s novels focus on marginalized characters struggling to find their place in a society built upon the legacy of slavery and the violence of racial prejudice. Most known for her imaginative fiction, Morrison has also written essays, non-fiction, plays, a libretti, and children’s books.

Ms. Morrison developed her first novel, The Bluest Eye (1970), while raising two children and teaching at Howard University. She later took a job as an editor at Random House, where she played a vital role in bringing black literature into the mainstream, editing books by authors such as Toni Cade Bambara, Angela Davis, and Gayl Jones.

Commercially successful and critically acclaimed, her 1987 Pulitzer Prize winning novel “Beloved” was chosen by a New York Times survey of prominent writers to be the best work of American fiction of the previous 25 years. In “Beloved”, Morrison imagines what it would have felt like to be Margaret Garner, a fugitive slave woman who chose to kill her infant daughter rather than see her grow up in slavery.

In an interview with the Paris Review, Morrison says about Margaret Garner: